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		<title>m space</title>
		<link>http://m-art.us/m-space/feed</link>
		<description>Website blog for m-art.us</description>
		<pubDate>Sat, 31 Mar 2012 00:00:00 -0400</pubDate>
		<item>
			<title>Masks of Mexico</title>         
			<link>http://m-art.us/m-space/masks-of-mexico</link>
			<description>&lt;p&gt;
	&lt;span style=&quot;color:#808080;&quot;&gt;In 1939, Ruth D. Lechuga (translation: Ruth D. Lettuce) arrived in Mexico City as a political refugee from Nazi Austria. She was fascinated by the local culture and indigenous crafts, and went on to amass one of the largest collections of Mexican folk art, including over 1,200 masks. Some of the finest examples of Ruth&amp;#39;s collection are on view now at the &lt;a href=&quot;http://icm.sre.gob.mx/imw/&quot;&gt;Mexican Cultural Institute&lt;/a&gt;&amp;nbsp;in Washington, DC.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;/upload/maskoftime.jpg&quot; style=&quot;width: 400px; height: 310px; &quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;span style=&quot;color:#808080;&quot;&gt;&lt;em&gt;Tiempo&lt;/em&gt; (Mask of Time) 1985, Herminio Candelario.&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: rgb(128, 128, 128); &quot;&gt;In ancient Mexica culture, 3-faced masks alluded to the cycles of life, depicting the young, the middle age and the skull.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;/upload/mexico.logo.jpg&quot; style=&quot;width: 400px; height: 122px; &quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: rgb(128, 128, 128); &quot;&gt;Mexico&amp;#39;s multicolored tourism logo is beautifully translated into the institute&amp;#39;s brass sign, vulnerable to unfortunate rip-offs (far below), and inpirational for multimedia applications.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;/upload/mexicansign.jpg&quot; style=&quot;width: 400px; height: 239px; &quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;/upload/icann-mexico-logo.jpg&quot; style=&quot;width: 272px; height: 107px; &quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;span style=&quot;color:#808080;&quot;&gt;Logo victim (ie, &amp;quot;what can go wrong if we do it ourselves?&amp;quot;).&lt;br /&gt;
	&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;span style=&quot;color:#808080;&quot;&gt;A typophile&amp;#39;s dream of image meets type in the video below.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/p_QFZz9-GzU&quot; width=&quot;420&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;</description>
			<guid>http://m-art.us/m-space/masks-of-mexico</guid>
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		<item>
			<title>Mad about Multiplicity</title>         
			<link>http://m-art.us/m-space/mad-about-multiplicity</link>
			<description>&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;/upload/Pfaff.gif&quot; style=&quot;width: 300px; height: 1311px; &quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;span style=&quot;color:#808080;&quot;&gt;One of the many perks of the Washington, DC area is the stunning array of top-tier art museums, many of which (thanks to our federal government) have free admission, encouraging &amp;quot;pop-ins&amp;#39; without knowing what&amp;#39;s on beforehand. A recent swing-by to the American Art Museum to take in Annie Lebovitz&amp;#39; latest photographic masterpiece&amp;nbsp;&lt;a href=&quot;http://americanart.si.edu/exhibitions/archive/2012/leibovitz/&quot;&gt;&amp;quot;Pilgrimage&amp;quot;&lt;/a&gt;&amp;nbsp;unearthed a concurrent printmaking show called &amp;quot;Multiplicity&amp;quot;. Totally culled from the museum&amp;#39;s permanent collection, the exhibit features some of the most innovative contemporary prints. Aside from the impressive lineup of &lt;a href=&quot;http://pyramidscreenprint.blogspot.com/2012/02/special-post-masters-of-multiplicity.html&quot;&gt;screenprints&lt;/a&gt;, I fell in love all over again with the work of &lt;a href=&quot;http://www.tandempress.wisc.edu/artists/pfaff/pfaff.html&quot;&gt;Judy Pfaff&lt;/a&gt;, whose work I first encountered at Tandem Press in Madison, WIsconsin. &lt;em&gt;The Drummer and the Dance (above)&lt;/em&gt;, is one of 12 prints inspired by a trip to Japan. Outside her gorgeous and gifted mingling of text, imagery and color, Pfaff often creates her frames. Here, she gives us a hand-stenciled and silver leafed construction which propells the print to object.&lt;/span&gt;&lt;/p&gt;
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			<guid>http://m-art.us/m-space/mad-about-multiplicity</guid>
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			<title>Dots Nice!</title>         
			<link>http://m-art.us/m-space/dots-nice</link>
			<description>&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;/upload/lomo-1.jpg&quot; style=&quot;width: 400px; height: 300px; &quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;/upload/lomo.jpg&quot; style=&quot;width: 400px; height: 300px; &quot; /&gt;&lt;/p&gt;
&lt;p&gt;
	&lt;span style=&quot;color:#808080;&quot;&gt;Puppies, pie and polka dots. Who doesn&amp;#39;t love &amp;#39;em? I don&amp;#39;t sew much, but browsing around a fabric store always makes me happy. I was especially drawn to these spotted bolts of cotton.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;</description>
			<guid>http://m-art.us/m-space/dots-nice</guid>
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